the speech impediment of the 21st century (by Marc Johns)
I’ll fuck you up buddy this is not a speech impediment it’s linguistic evolution!! the existence of the phrase “Aisha was like” allows the speaker to convey whatever Aisha said without making the listener assume they’re quoting Aisha directly while still maintaining the FEELING of what Aisha said.
ie, Aisha said she didn’t want to go out with me VERSUS Aisha was like, “I’d rather kiss a Wookie”.
the addition of “XYZ was like” lets the speaker be more expressive and efficient and it is a totally valid method of communicating information!!
With the way language has evolved, this is one of the few ways I can even think of to express in casual conversation what someone said.
"So I said to Aisha," is certainly used, but if you remove the "so," which implies casual tone ("and" can be used in the same way), you get
"I said to Aisha," which is really formal in most English dialects/variations. I don’t know about all, but in New England dialects, you sound like you’re reading aloud from a novel.
"I told Aisha," is really only used when you continue to describe, not tell, what you told her. Ex: "I told Aisha that James was too punk for her" works while, "I told Aisha, ‘James is too punk for you’" crosses the line back into formalness of the "I said."
Things like “I asked” or “I answered [with]” are similar levels of casual and efficient to the “So, I said [or say, as many conversations about the past take place in present tense anyway, as if the speaker is giving a play-by-play in the moment]” but are specific to only certain situations.
"I was like, 'Marc Johns, what is your obsession with restoring archaic speech patterns and interfering with the natural progression of English from complex to efficient?'" envelopes all of these easily and is accessible and crisp, and allows for more variations on inflection than the others.
Of course, James is probably like, “I already fucking said that.” But eh, I tried adding on.
"Girl Speaks Gibberish With Perfect Accents To Show What Languages Sound Like To Foreigners"
I love this?
"I’d say I can hear it in my bones. Dumb things, innit? Like a voraculously marbleizing felt tip pen, like a rordinary crizentence of a mariating foller-row!"
"Uh, yeah, I mean, trevermizendriniperine life of like moaning fair. Fellow me. Like a penning friendricate. Bolonga valium precise-y! Hello?"
Both good points, but I have to add that gonna blab an endzone foreplay. Whack a Plantagenet which who motherfuckin acetaminophen inna free range flangralation. Know what I mean?
elyssediamond submitted to medievalpoc:
"Detail of a page from a 13th century Abbreviatio (abridgement) of Domesday Book. A black man wearing brightly coloured stockings is suspended from the initial letter ‘I’."
The National Archives
I really want to know what he’s doing there.
It actually reminds me a great deal of the German illuminator Claricia, who illuminated herself as the tail of a “Q”!!
If anyone slaps you on the right cheek, turn to them the other cheek also”
This specifically refers to a hand striking the side of a person’s face, tells quite a different story when placed in it’s proper historical context. In Jesus’s time, striking someone of a lower class ( a servant) with the back of the hand was used to assert authority and dominance. If the persecuted person “turned the other cheek,” the discipliner was faced with a dilemma. The left hand was used for unclean purposes, so a back-hand strike on the opposite cheek would not be performed. Another alternative would be a slap with the open hand as a challenge or to punch the person, but this was seen as a statement of equality. Thus, by turning the other cheek the persecuted was in effect putting an end to the behavior or if the slapping continued the person would lawfully be deemed equal and have to be released as a servant/slave.
THAT makes a lot more sense, now, thank you.
I can attest to the original poster’s comments. A few years back I took an intensive seminar on faith-based progressive activism, and we spent an entire unit discussing how many of Jesus’ instructions and stories were performative protests designed to shed light on and ridicule the oppressions of that time period as a way to emphasize the absurdity of the social hierarchy and give people the will and motivation to make changes for a more free and equal society.
For example, the next verse (Matthew 5:40) states “And if anyone wants to sue you and take your shirt, hand over your coat as well.” In that time period, men traditionally wore a shirt and a coat-like garment as their daily wear. To sue someone for their shirt was to put them in their place - suing was generally only performed to take care of outstanding debts, and to be sued for one’s shirt meant that the person was so destitute the only valuable thing they could repay with was their own clothing. However, many cultures at that time (including Hebrew peoples) had prohibitions bordering on taboo against public nudity, so for a sued man to surrender both his shirt and his coat was to turn the system on its head and symbolically state, in a very public forum, that “I have no money with which to repay this person, but they are so insistent on taking advantage of my poverty that I am leaving this hearing buck-ass naked. His greed is the cause of a shameful public spectacle.”
All of a sudden an action of power (suing someone for their shirt) becomes a powerful symbol of subversion and mockery, as the suing patron either accepts the coat (and therefore full responsibility as the cause of the other man’s shameful display) or desperately chases the protester around trying to return his clothes to him, making a fool of himself in front of his peers and the entire gathered community.
Additionally, the next verse (Matthew 5:41; “If anyone forces you to go one mile, go with them two miles.”) was a big middle finger to the Romans who had taken over Judea and were not seen as legitimate authority by the majority of the population there. Roman law stated that a centurion on the march could require a Jew (and possibly other civilians as well, although I don’t remember explicitly) to carry his pack at any time and for any reason for one mile along the road (and because of the importance of the Roman highway system in maintaining rule over the expansive empire, the roads tended to be very well ordered and marked), however hecould not require any service beyond the next mile marker. For a Jewish civilian to carry a centurion’s pack for an entire second mile was a way to subvert the authority of the occupying forces. If the civilian wouldn’t give the pack back at the end of the first mile, the centurion would either have to forcibly take it back or report the civilian to his commanding officer (both of which would result in discipline being taken against the soldier for breaking Roman law) or wait until the civilian volunteered to return the pack, giving the Judean native implicit power over the occupying Roman and completely subverting the power structure of the Empire. Can you imagine how demoralizing that must have been for the highly ordered Roman armies that patrolled the region?
Jesus was a pacifist, but his teachings were in no way passive. There’s a reason he was practically considered a terrorist by the reigning powers, and it wasn’t because he healed the sick and fed the hungry.
JESUS JUST GOT SO MUCH MORE BADASS REMEMBER THIS NEXT TIME SOME WHITE CHRISTIAN TELLS YOU TO BE NICE “LIKE CHRIST” REMEMBER THEY’RE ASKING YOU TO BE LIKE THE MIDDLE EASTERN JEW WHO IS TELLING YOU TO BE PASSIVE AGGRESSIVE.
Your regular reminder that ‘Christlike behaviour’ includes this kind of thing, plus trashing tables in synagogue because of the evils of capitalism.
Forget cat cafes. Or black cat cafes. Or penguin bars. Japan’s latest novelty cafe is the “fukurou cafe” (フクロウカフェ), or the “owl cafe.”
Owl cafes like Fukurou no Mise (“Owl Shop”) and Tori no Iru Cafe (“The Cafe with Birds”) started getting noticed online in Japan late last year.
This summer saw more owl cafes open, and currently there are owl cafes like Fukurou Sabou (“Owl Teahouse”) in Tokyo, Owl Family in Osaka, and Crew, another owl cafe in Osaka, among others.
omg must go live here o.o
temporalequinox asked you:
Hi! I love your comic and I’ve been working on a vintage inspired story myself for the passed few years now, but I can never find a great source for clothing of the time period my story takes place in. Do you by any chance have an accurate source that you look to for reference?
nosunlightinthecity asked you:
I’m wondering where you researched 20’s fashion and style (and language!). My own foray lead me to nothing but cheap flapper costumes, but I’m hoping to be more put-together for this themed museum event. I’d love any nudge in a good direction. Thank you in advance!
Hi, guys! Here are some online places you can find authentic period clothing reference from the past 130 years or so:
- Old clothing catalogs. There are a lot of them archived in book form for pretty reasonable prices on Amazon. Scans from these catalog collections are plentiful online too - easy to find with a Google Image search.
- Old photographs. There’s no better reference than real actual people wearing real actual clothing. Shorpy is a goldmine. Also, it may or may not be common knowledge, but the US Library of Congress site has a huge online archive of historic photographs. (Obviously, that’s a pretty American-centric source, but I imagine many internet-friendly nations have a rough equivalent.)
- Vintage clothing stores. There are quite a few of them with fairly extensive online catalogs - just be careful to look for actual vintage articles of clothing as opposed to vintage style clothing loosely based on history.
- Museum collections. The Metropolitan Museum, for instance, has a very large collection of historic clothes and ensembles by historic designers (Vera Maxwell, Coco Chanel, etc) available for perusal on their site (pick Collections>Search collections). There are a number of tumblr blogs out there too, like OMGthatdress, featuring such pieces with search tags that might make it easier to find what you’re after.
I hope that helps.
If anyone has other resource recommendations, feel free to share!
Japanese dive bomber
Benedict Cumberbatch, photographed by Karim Sadli for T magazine, Spring 2014.
(click the image for extremely high-res photo.)
Oh okay just fucking slay me why don’t you
HOW DO YOU LOOK 10 YEARS YOUNGER?!
Daenerys Targaryen, Mother of Dragons.
Some realism practice with more desaturated colours than I’m used to….it’s hard “orz. The face took me especially long to get right xD;.
It’s SO WEIRD to see how other people’s drawing techniques are the exact opposite of your own…you start by filling in and THEN add outlines?! THIS IS MADNESS!!